When six year—old Evan is kidnapped from his foster home, he is dragged into a world of shadows, monsters, and fire. At first, all Evan can think about is how to escape from his violent captor,
When six year—old Evan is kidnapped from his foster home, he is dragged into a world of shadows, monsters, and fire. At first, all Evan can think about is how to escape from his violent captor, a man who calls himself Rook; but Evan quickly learns that Rook is the only person with the power to protect him against a host of more horrible dangers. As Rook's true nature is revealed through mysterious, magical acts, Evan must wonder if Rook is indeed a person or rather a monster himself.
Pursued across the wintery Southern Ontario countryside, with the baying of police dogs at their heels and deeper horrors lurking in the woods, the orphan boy and the roguish man begin to understand each other. Evan admits that he also has mysterious, magical powers, but doesn't know how to control them. Rook becomes more intrigued with the boy, and Evan, a child that has never felt at home, begins to believe in a place where he belongs - with Rook.
Stephen Michell is a freelance writer and editor based out of Toronto. His writing has appeared in The Good Men Project, as well as in the Exile Editions speculative fiction anthology THOSE WHO MAKE US, with his story 'As Worlds Collide.' He has also written many entertainment reviews for Step On Magazine.
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"You think you know where Only the Devil is Here is going . . . and then it goes somewhere else. Super-creepy northern gothic with terrific pace and scares."
— Andrew Pyper, author of The Only Child and The Demonologist
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"Michell's mystical horror novel is a promising debut that leads off with a shocking kidnapping and rarely pauses for breath. . . Michell subtly upends expectations with a genuinely insightful examination of the essence of good and evil. By the novel's end, Michell delivers an invigorating chase story, a suspenseful horror-action hybrid with memorably warped characters, and terrific B-movie cinematic flair."
— Publishers Weekly
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